While our physical offices are closed until further notice in accordance with Austin's COVID-19 "stay home-work safe" order, the Handbook of Texas will remain available at no-cost for you, your fellow history enthusiasts, and all Texas students currently mandated to study from home. If you have the capacity to help us maintain our online Texas history resources during these uncertain times, please consider making a 100% tax-deductible contribution today. Thank you for your support of TSHA and Texas history. Donate Today »


Juan Carlos Rodríguez

Valerio Longoria
Valerio Longoria, ca. 1997. Conjunto accordionist Longoria recorded more than 200 songs during his sixty-year career and was inducted into the Tejano Conjunto Music Hall of Fame in 1982. UTSA Libraries Special Collections, No. 97-225.

LONGORIA, VALERIO (1924–2000). Texas-Mexican conjunto musician Valerio Longoria was born in Clarksdale, Mississippi (some sources say Kenedy, Texas), on December 27 (some sources say March 13), 1924. Because he was the son of migrant farmworkers and worked as a child in the fields with his father, he rarely attended school. Nevertheless, he displayed an early talent for music. At age six he was given his first guitar and learned to play the basics. A year later, his father bought him a two-row model accordion for ten dollars. Longoria began playing the accordion by watching conjunto pioneer Narciso Martínez. By the 1930s he was playing at weddings and parties in Harlingen. At age eighteen he was drafted into the United States Army and stationed in Germany. There he played the accordion at local nightclubs.

When he returned to the United States in 1945 he moved to San Antonio, where Corona Records recorded his first songs in 1947––the polka "Cielito" and the corrido "Jesús Cadena." Over the next two years Longoria recorded several hits for the Corona label, including the canción ranchera "El Rosalito." He then signed with Ideal Records and stayed with that company for eight years, earning a fee of twenty dollars a recording, compared to the Corona fee of fifteen dollars. With Ideal, Longoria established himself as one of the most innovative of the new generation of conjunto musicians. In 1959 he moved to Chicago, where he recorded for Firma Records. Unfortunately, the company did not promote or distribute his recordings in Texas. Eight years later Longoria moved to Los Angeles and signed with Volcán Records. Like Firma, Volcán did not market Longoria's music in Texas, a failure that caused his fame and fan support to fade.

Listen to this artist

Even though Longoria never duplicated his earlier success, he recorded more than 200 songs for several labels in his sixty-year career. He was the first musician to combine lyrics with the accordion sound, and is credited with being the first conjunto musician to experiment with octave tuning and to introduce drums and boleros to the conjunto repertoire. In 1982 he was among the first inductees into the Conjunto Music Hall of Fame. In 1986 he was recognized with the highest honor for a folk artist when he was awarded the National Heritage Award. The Texas Polka Music Association honored Longoria with a Lifetime Achievement Award in 1991. In March 2000 he received a Lifetime Achievement Award at the San Antonio Current Music Awards. In October of that year the Guadalupe Cultural Arts Center, which had hired him in 1981 to teach accordion to young students on San Antonio's West Side, honored him with yet another Lifetime Achievement Award. Longoria had taught hundreds of students to play the accordion.

In June 2000 he was diagnosed with lung cancer, of which he subsequently died on December 15 of that year. He was buried in Mission Burial Park South in San Antonio. He was survived by his wife, Rebecca, and five sons, Valerio III, Alex, Juan, Flavio, and Valerio IV. Longoria was inducted into the Tejano R.O.O.T.S. Hall of Fame in 2001. A new DVD, Valerio Longoria: Legacy of a Maestro, by filmmaker Hector Galán was released in 2012.


Ramiro Burr, The Billboard Guide to Tejano and Regional Mexican Music (New York: Billboard, 1999). Manuel Peña, The Texas-Mexican Conjunto: History of a Working-Class Music (Austin: University of Texas Press, 1985). Manuel Peña, Música Tejana: The Cultural Economy of Artistic Transformation (College Station: Texas A&M University Press, 1999). San Antonio Express-News, December 16, 2000.

Image Use Disclaimer

All copyrighted materials included within the Handbook of Texas Online are in accordance with Title 17 U.S.C. Section 107 related to Copyright and “Fair Use” for Non-Profit educational institutions, which permits the Texas State Historical Association (TSHA), to utilize copyrighted materials to further scholarship, education, and inform the public. The TSHA makes every effort to conform to the principles of fair use and to comply with copyright law.

For more information go to: http://www.law.cornell.edu/uscode/17/107.shtml

If you wish to use copyrighted material from this site for purposes of your own that go beyond fair use, you must obtain permission from the copyright owner.


The following, adapted from the Chicago Manual of Style, 15th edition, is the preferred citation for this article.

Handbook of Texas Online, Juan Carlos Rodríguez, "LONGORIA, VALERIO," accessed July 15, 2020, http://www.tshaonline.org/handbook/online/articles/flo66.

Uploaded on June 15, 2010. Modified on October 25, 2015. Published by the Texas State Historical Association.
visit the mytsha forums to participate

View these posts and more when you register your free MyTSHA account.

Call for Papers: Texas Center for Working-Class Studies Events, Symposia, and Workshops
Hi all! You may be interested in this call for papers I received from the Texas Center for Working-Class Studies at Collin College...

Katy Jennings' Ride Scholarly Research Request
I'm doing research on Catherine Jennings Lockwood, specifically the incident known as "Katy Jennings' Ride." Her father was Gordon C. Jennings, the oldest man to die at the Alamo...

Texas Constitution of 1836 Co-Author- Elisha Pease? Ask a Historian
The TSHA profile of Elisha Marshall Pease states that he wrote part of the Texas Constitution although he was only a 24 year-old assistant secretary (not elected). I cannot find any other mention of this authorship work by Pease in other credible research about the credited Constution authors...