- Annual Meeting
- Get Involved
GUION, DAVID WENDEL
Autographed publicity photo of David Guion by Apeda, New York, ca. 1920s. Guion wrote more than 200 compositions, including orchestral suites, ballet music, piano works, and religious songs. Many of his compositions reflected his Texas cowboy heritage, and he is perhaps best-known for his arrangement of “Home on the Range.” Courtesy of Texas State Library and Archives Commission, Prints & Photographs #1953/39-1.
GUION, DAVID WENDEL (1892–1981). David Wendel Guion, composer and musician, son of John I. and Armour (Fentress) Guion, was born on December 15, 1892, in Ballinger, Texas. His mother was an accomplished singer and pianist, and his father was a prominent judge. Guion's parents discovered his musical ability when he was five years old; consequently he started his musical education early. He studied first in nearby San Angelo, then at the Whipple Academy in Jacksonville, Illinois, and further at Polytechnic College in Fort Worth. His parents sent him to Vienna to study with Leopold Godowsky at the Royal Conservatory of Music. After the outbreak of World War I Guion returned to the states, where he began teaching and composing.
Throughout the 1920s and 1930s he composed and performed music that reflected his Texas heritage. For a time he hosted a Western-oriented weekly radio show in New York City, for which he wrote the scripts and music. But Guion, at one time himself an accomplished cowboy, became most famous for his arrangement of the cowboy song "Home on the Range," which was performed for the first time in his New York production Prairie Echoes. It became a favorite of President Franklin D. Roosevelt and the nation. In 1936 Guion was commissioned to write Cavalcade of America for the Texas Centennial celebration, and in 1950 he received a commission from the Houston Symphony Orchestra, for which he completed the suite Texas in 1952. His compositions number over 200 published works and includes orchestral suites, ballet music, piano pieces, and secular and religious songs. His music has been performed around the world.
Guion was one of the first American composers to collect and transcribe folk tunes, including Negro spirituals, into concert music. He is well-known for his arrangements of "Turkey in the Straw" and "The Arkansas Traveler," as well as "The Yellow Rose of Texas," "The Lonesome Whistler," "The Harmonica Player," "Jazz Scherzo," "Barcarolle," "The Scissors Grinder," "Valse Arabesque," and the Mother Goose Suite. He was a master at musically representing the history and heritage of early Texas with such works as "Ride, Cowboy, Ride," "The Bold Vaquero," "Lonesome Song of the Plains," "Prairie Dusk," and the "Texas Fox Trot." A collection of his waltzes, "Southern Nights," was used in the movie Grand Hotel.
David Guion was one of the first American composers to collect and transcribe folk tunes into concert music. He was commissioned to write Cavalcade of America for the Texas Centennial celebration in 1936 and the suite Texas for the Houston Symphony Orchestra in 1950. Courtesy of Texas State Library and Archives Commission, Prints & Photographs #1953/039-02.
Guion was a member of the American Society of Composers, Authors, and Publishers, the Texas Composers Guild, and the Texas Teachers Association. In 1955 the National Federation of Music Clubs announced that Guion was one of America's most significant folk-music composers. Guion, a Presbyterian and a Democrat, had a teaching career spanning over sixty years. He influenced young musicians at numerous colleges and conservatories including Howard Payne University (which in 1950 awarded him an honorary doctorate in music), Fort Worth Polytechnic College, Fairmont Conservatory, Chicago Musical College, Daniel Baker College, and Southern Methodist University.
Guion died on October 17, 1981, in Dallas and was buried at Evergreen Cemetery in Ballinger. Upon his death, his large collection of furniture, glassware, music recordings, books, and memorabilia was donated to the International Festival-Institute at Round Top. The Crouch Music Library at Baylor University, the Dallas Public Library, and the Fine Arts Library at the University of Texas at Austin have portions of his archives.
Sam Hanna Acheson, Herbert P. Gambrell, Mary Carter Toomey, and Alex M. Acheson, Jr., Texian Who's Who, Vol. 1 (Dallas: Texian, 1937). Donna Bearden and Jamie Frucht, The Texas Sampler: A Stitch in Time (Austin: Governor's Committee on Aging, 1976?). Houston Chronicle, October 21, 1981. Vertical Files, Dolph Briscoe Center for American History, University of Texas at Austin.
Image Use Disclaimer
All copyrighted materials included within the Handbook of Texas Online are in accordance with Title 17 U.S.C. Section 107 related to Copyright and “Fair Use” for Non-Profit educational institutions, which permits the Texas State Historical Association (TSHA), to utilize copyrighted materials to further scholarship, education, and inform the public. The TSHA makes every effort to conform to the principles of fair use and to comply with copyright law.
For more information go to: http://www.law.cornell.edu/uscode/17/107.shtml
If you wish to use copyrighted material from this site for purposes of your own that go beyond fair use, you must obtain permission from the copyright owner.
The following, adapted from the Chicago Manual of Style, 15th edition, is the preferred citation for this article.Handbook of Texas Online, James Dick, "GUION, DAVID WENDEL," accessed January 23, 2019, http://www.tshaonline.org/handbook/online/articles/fgu16.
Uploaded on June 15, 2010. Modified on October 10, 2015. Published by the Texas State Historical Association.