- Annual Meeting
- Get Involved
Listen to this artist
GLINN, LILLIAN (1902–1978). Blues singer and vaudeville performer Lillian Glinn was born in Hillsboro, Texas, on May 10, 1902, and moved to Dallas when she was in her twenties. Texas blues singer Hattie Burleson discovered her singing in a Dallas church and encouraged her to pursue a musical career. Dallas entrepreneur R. T. Ashford, who later helped found the Dallas Negro Chamber of Commerce (now the Dallas Black Chamber of Commerce), helped Glinn secure a recording contract with Columbia Records in 1927. She cut her first record for Columbia in December 1927, and over the next two years she recorded more than twenty-two sides, including the popular tunes "Black Man Blues," "Doggin' Me," and "Atlanta Blues."
Glinn, who sang in a heavy contralto voice, was often accompanied by banjo, piano, and bass brass instruments. Her songs, which were often labeled "race music," revealed her life experiences in Dallas and the harsh realities of life on the streets. Her lyrics, some of which advised other women how to keep their men and how to handle unreliable lovers, often included strong sexual overtones. Between 1927 and 1929 Glinn became nationally known as a result of her recordings. On April 24, 1928, she cut her best-known record, "Shake It Down," in a New Orleans session. In April 1929 she recorded a session in Atlanta, probably accompanied by a white jazz band. Later that year she recorded another session in Dallas that included the pop song "I'm Through (Shedding Tears Over You)."
Her musical career, unfortunately, was extremely brief. After recording for only two years she gave up her "secular" work to return to the church. In the early 1930s she moved to California, where she married the Rev. O.P. Smith and distanced herself from her former life. She died in Richmond, California, on July 22, 1978.
Jay F. Brakefield and Alan B. Govenar, Deep Ellum and Central Track (Denton: University of North Texas Press, 1998). Dallas Morning News, September 26, 1999. Bob Eagle and Eric S. LeBlanc, Blues: A Regional Exploration (Santa Barbara, California: Praeger, 2013). Colin Larkin, ed., Encyclopedia of Popular Music (London: Guinness, 1992; 3d ed., New York: Muze, 1998). Dave Oliphant, Texan Jazz (Austin: University of Texas Press, 1996). Frank Scott, The Down Home Guide to the Blues (Chicago: A Cappella, 1991).
Image Use Disclaimer
All copyrighted materials included within the Handbook of Texas Online are in accordance with Title 17 U.S.C. Section 107 related to Copyright and “Fair Use” for Non-Profit educational institutions, which permits the Texas State Historical Association (TSHA), to utilize copyrighted materials to further scholarship, education, and inform the public. The TSHA makes every effort to conform to the principles of fair use and to comply with copyright law.
For more information go to: http://www.law.cornell.edu/uscode/17/107.shtml
If you wish to use copyrighted material from this site for purposes of your own that go beyond fair use, you must obtain permission from the copyright owner.
The following, adapted from the Chicago Manual of Style, 15th edition, is the preferred citation for this article.Handbook of Texas Online, James Head, "GLINN, LILLIAN," accessed November 15, 2018, http://www.tshaonline.org/handbook/online/articles/fgl21.
Uploaded on June 15, 2010. Modified on November 3, 2015. Published by the Texas State Historical Association.