- Annual Meeting
- Get Involved
Tenor sax player Herschel Evans (right), with trumpeter Don Albert, ca. 1929.
This photograph was taken when both Evans and Albert played with San Antonio
orchestras. Duncan Schiedt Collection.
EVANS, HERSCHEL (1909–1939). Herschel Evans, musician and composer, was born in Denton, Texas, in 1909 and spent some of his childhood in Kansas City, Kansas, where his cousin Eddie Durham was a trombonist and guitarist. Durham persuaded him to switch from alto to tenor sax, the instrument that ultimately established Evans's reputation. After perfecting his craft in the famous jam sessions held in the jazz district between Twelfth and Eighteenth streets in Kansas City, Evans returned to Texas in the 1920s and joined the Troy Floyd orchestra in San Antonio in 1929. He stayed with the band until it dispersed in 1932. Evans performed for a time with Lionel Hampton and Buck Clayton in Los Angeles and in the mid-1930s returned to Kansas City to become a featured soloist in Count Basie's big band.
Listen to this artist
For the next three years Evans's reputation as a tenor saxophonist was at its peak. His musical duels with fellow band member Lester Young are considered jazz classics. Count Basie's popular "One O'Clock Jump" featured the contrasting styles of the two musicians and brought to each the praise of both critics and the general public. The composition displayed Evans's full-bodied, emotional timbre and Young's high-pitched, light, and buoyant tone, contrasting sounds that highlighted each other. Evans's greatest single success was his featured solo in Basie's hit "Blue and Sentimental."
Evans also made records with such notable jazz figures as Harry James, Theodore S. (Teddy) Wilson, and Lionel Hampton. Evans has been credited with influencing fellow tenorists Buddy Tate, Illinois Jacquet, and Arnett Cobb. Although not a prolific composer, Evans wrote a number of popular works, including the hits "Texas Shuffle" and "Doggin' Around." On February 9, 1939, at the age of thirty, he died of heart disease in New York City.
Frank Driggs and Harris Lewine, Black Beauty, White Heat: A Pictorial History of Classic Jazz, 1920–1950 (New York: Morrow, 1982). Leonard G. Feather, The Encyclopedia of Jazz (New York: Horizon, 1955; rev. ed., New York: Bonanza, 1960). Len Lyons, The 101 Best Jazz Albums (New York: Morrow, 1980). Ross Russell, Jazz Style in Kansas City and the Southwest (Berkeley: University of California Press, 1971).
Image Use Disclaimer
All copyrighted materials included within the Handbook of Texas Online are in accordance with Title 17 U.S.C. Section 107 related to Copyright and “Fair Use” for Non-Profit educational institutions, which permits the Texas State Historical Association (TSHA), to utilize copyrighted materials to further scholarship, education, and inform the public. The TSHA makes every effort to conform to the principles of fair use and to comply with copyright law.
For more information go to: http://www.law.cornell.edu/uscode/17/107.shtml
If you wish to use copyrighted material from this site for purposes of your own that go beyond fair use, you must obtain permission from the copyright owner.
The following, adapted from the Chicago Manual of Style, 15th edition, is the preferred citation for this article.Handbook of Texas Online, David Minor, "EVANS, HERSCHEL," accessed January 16, 2019, http://www.tshaonline.org/handbook/online/articles/fev03.
Uploaded on June 12, 2010. Modified on September 16, 2015. Published by the Texas State Historical Association.